波蘭藝術家合作計畫《風暴》Storm (2019-2020)

海馬迴藝工隊從 2017 年即與波蘭藝術家 Karolina Breguła 合作各項拍攝計畫與展覽活動。 在 2019-20 年期間,《風暴》拍攝計畫原為短期進駐到基隆外木山海邊實景拍攝。因導演受疫情影響無法來台,決定變更《風暴》拍攝轉為線上作業,海馬迴團隊錄製演員們的聲音並透過手機軟體捕捉臉部動態再從雲端傳送,如此過程讓身處歐洲的後製團隊可以完成計畫而無須離開家門。

導演依波蘭政府指示隔離在家工作期間,仰賴線上會議進行教職,深感全球疫情影響而加劇各項工作的線上化發展,網路空間成為全球政治局勢轉變加劇的主因與解法,虛擬帳號 代表的角色成為我們的化身,同時人工智能學習著如何更像人類。數位化身在疫情散布的情勢下成為我們存在的樣子,面對環境或政治局勢變化,卻時常表現出隔岸觀火、立場反覆的不穩定心理狀態,以此呼應全球政治與社會變化加劇的對照。



 “Storm”

Karolina Breguła and Fotoaura Institute of Photography have been collaborating since 2017. “Storm” was preceded by Breguła’s solo exhibition “Square” and a production of a 5 channel film installation under the same title. 

“Storm” is a 5 channel installation depicting five people standing at the sea shore, observing a violent storm on a distant island. The protagonists know very well that what is happening on the island, may soon happen on their land too. They are scared but also fascinated by the destructive storm.

The films were originally planned to be shot on the beach of Keelung. As the shooting time approached, the global pandemic broke out and entry into Taiwan was banned. Because Breguła was in Poland, the decision was made to realize the project online. The crew in Taiwan recorded actors’ face expressions using a face recognition phone application and recorded their voices remotely. The whole project was produced in such a way that the European members of the crew did not have to leave their homes.

“Storm” is a story about a coming danger, which may be understood as the climate crisis, political tensions or military conflicts. Because the project was produced shortly after the coronavirus outbreak, it’s also naturally interpreted as a story about waiting for the pandemic. 





工作團隊:
導演、編劇: Karolina Breguła
頭像與背景塑造:Robert Mleczko
聲音製作:Weronika Razna
聲音錄製:Nigel Brown
製片:黃婷玉
軟體操作:吳宗龍
聲音提供:陳汶樺、Natan Derek、鍾佳嘉
頭像提供:陳奕文、郭柏彥、楊堤柳、李珮瑜、陳曉南
字幕:田倧源
翻譯:黎時潮
錄音室:三川娛樂(南方錄音室)
特別感謝:Monica Dhuli、Art Naming